Saturday, December 31, 2005

Mad about the boy


Mad about the boy
I know it's stupid to be mad about the boy
I'm so ashamed of it but must admit the sleepless nights I've had
About the boy

On the silverscreen
He melts my foolish heart in every single scene
Although I'm quite aware that here and there are traces of the cad
About the boy

Lord knows I'm not a fool girl
I really shouldn't care
Lord knows I'm not a school girl
In the flurry of her first affair

Will it ever cloy
This odd diversity of misery and joy
I'm feeling quite insane and young again
And all because I'm mad about the boy

So if I could employ
A little magic that will finally destroy
This dream that pains me and enchains me
But I can't because I'm mad...
I'm mad about the boy


A wonderful song by Noel Coward. I like it best when Dinah Washington is the afflicted one ..

http://www.townsend-records.co.uk/product.php?pId=4130302&pType=music

Washington's most popular songs were 'loser's songs' that people could identify with, such as the unrequited love in "Mad About The Boy". The meanings of the songs were very important to her and she always sang with feeling, claiming that "when you get inside a tune the soul should come out". Washington's shorter version, which misses out the first couple of verses, was arranged by Quincy Jones who had worked on a lot of her tunes. It was recorded for the Mercury label in her native Chicago in March 1952. It appeared later on various albums such as Dinah Washington, 50 Greatest Hits and AmericanLegend. Yet the song was brought to a whole new generation when it was used in a jeans ad in 1992 and subsequently entered the Top 50 in the British charts.
See:
http://www.bbc.co.uk/radio2/soldonsong/songlibrary/indepth/madabouttheboy.shtml

Thursday, December 29, 2005

During wind and rain


They sing their dearest songs--
He, she, all of them--yea,
Treble and tenor and bass.
And one to play;
With the candles mooning each face....
Ah, no; the years O!
How the sick leaves reel down in throngs!

They clear the creeping moss--
Elders and juniors--aye,
Making the pathways neat
And the garden gay;
And they build a shady seat....
Ah, no; the years, the years;
See, the white storm-birds wing across!

They are blithely breakfasting all--
Men and maidens--yea,
Under the summer tree,
With a glimpse of the bay,
While pet fowl come to the knee....
Ah, no; the years O!
And the rotten rose is ripped from the wall.

They change to a high new house,
He, she, all of them--aye,
Clocks and carpets and chairs
On the lawn all day,
And brightest things that are theirs....
Ah, no; the years, the years;
Down their carved names the raindrop plows.

Thomas Hardy

A useful commentary:
Hardy's poetry is somewhat more depressing than I usually care for, but it
has a compelling quality that makes up for it. Today's poem deals with some
of his favourite themes - death, oblivion and futility - and does so with his
characteristic elegance and economy. The imagery is vivid and hard-hitting,
the last lines of each stanza stripping away the comfortable mask of life
and order, and hammering in the coffin nails of time. Note the way the
relentless progression is reinforced by the alliteration, and by the

repeated use of the penultimate line. (http://www.cs.rice.edu/~ssiyer/minstrels/poems/96.html)

My favourite girl



Natalia ... my granddaughter, walking by the Birmingham & Worcester canal (and next to the main railway line from Birmingham to the South-West and Wales) on an August afternoon, after the rain. We searched for ducks to feed, but, unusually, there were none. She was nearly 30 months old at the time of this photo.


Tuesday, December 27, 2005

Some wise quotations from Mark Twain

Sometimes I wonder whether the world is being run by smart people who are putting us on or by imbeciles who really mean it.

A banker is a fellow who lends you his umbrella when the sun is shining, but wants it back the minute it begins to rain.

A lie can travel halfway around the world while the truth is putting on its shoes.

It's not the size of the dog in the fight, it's the size of the fight in the dog.

When angry count four; when very angry, swear.

The trouble with the world is not that people know too little, but that they know so many things that ain't so.

The man who does not read good books has no advantage over the man who cannot read them.

Always do right - this will gratify some and astonish the rest.

Few things are harder to put up with than a good example.

Most people are bothered by those passages of Scripture they do not understand, but the passages that bother me are those I do understand.

The best way to cheer yourself up is to try to cheer somebody else up.

There's always something about your success that displeases even your best friends.

When you cannot get a compliment any other way, pay yourself one.

Get the facts first. You can distort them later.

When in doubt, tell the truth.

Be careful about reading health books. You may die of a misprint.

I find that the further I go back, the better things were, whether they happened or not.

If you pick up a starving dog and make him prosperous, he will not bite you. This is the principal difference between a man and a dog.

Life would be infinitely happier if we could only be born at the age of eighty and gradually approach eighteen.

Man is the only animal that blushes. Or needs to.

When I was a boy of 14, my father was so ignorant I could hardly stand to have the old man around. But when I got to be 21, I was astonished at how much the old man had learned in seven years.

Providence protects children and idiots. I know because I have tested it.

Adam and Eve had many advantages, but the principal one was that they escaped teething.

Let us be thankful for fools. But for them the rest of us could not succeed.

Honesty is the best policy -- when there is money in it.


Profile photo substitute (Kanazawa, 1994)

Vanished into thin air

If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger, if your wish is father to the thought, if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise - why, be that as it may, the more fool you, for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I were dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut, tut! for goodness' sake! what the dickens! but me no buts - it is all one to me, for you are quoting Shakespeare. (Bernard Levin. From The Story of English. Robert McCrum, William Cran and Robert MacNeil. Viking: 1986)

Saturday, December 24, 2005

If you came this way

If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world's end, some at the seajaws,
Or over a dark lake, in a desert or a city -
But this is the nearest, in place and time,
Now and in England.


If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.
Well, having come this way and reached this far, you have just read a
fragment of 'The Four Quartets' by T.S.Eliot, written during those dark
days in England of the Second World War ... although, of course, things
were much darker in much of continental Europe .

A difficult birth

Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born; on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events; the item of mortality whose name is prefixed to the head of this chapter.

For a long time after it was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child could survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared; or, if they had, that being comprised within a couple of pages, they would have possessed the inestimable merit of being the most concise and faithful specimen of biography, extant in the literature of any age or country.

Although I am not disposed to maintain that the being born in a workhouse, is in itself the most fortunate and enviable circumstance that can possibly befall a human being, I do mean to say that in this particular instance, it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration, -- a troublesome practice, but one which custom has rendered necessary to our easy existence; and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next: the balance being decidedly in favour of the latter. Now, if, during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer; and a parish surgeon who did such matters by contract; Oliver and Nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter.

As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young woman was raised feebly from the pillow; and a faint voice imperfectly articulated the words, "Let me see the child, and die."

The surgeon had been sitting with his face turned towards the fire: giving the palms of his hands a warm and a rub alternately. As the young woman spoke, he rose, and advancing to the bed's head, said, with more kindness than might have been expected of him:

"Oh, you must not talk about dying yet."

"Lor bless her dear heart, no!" interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction. "Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on 'em dead except two, and them in the wurkus with me, she'll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there's a dear young lamb, do."



These are the opening paragraphs of 'Oliver Twist' by Charles Dickens. If reading them is a new experience, I hope you enjoyed it.