Hiawatha's Childhood

I can remember so well the enjoyment of hearing, during a year in Japan, the fine English actor, Robert Hardy reading Hiawatha on the BBC World Service in 1994. I would love to be able to hear it again, but there seems to be no recording of it available.

Downward through the evening twilight,
In the days that are forgotten,
In the unremembered ages,
From the full moon fell Nokomis,
Fell the beautiful Nokomis,
She a wife, but not a mother.

She was sporting with her women,
Swinging in a swing of grape-vines,
When her rival the rejected,
Full of jealousy and hatred,
Cut the leafy swing asunder,
Cut in twain the twisted grape-vines,
And Nokomis fell affrighted
Downward through the evening twilight,
On the Muskoday, the meadow,
On the prairie full of blossoms.
"See! a star falls!" said the people;
"From the sky a star is falling!"

There among the ferns and mosses,
There among the prairie lilies,
On the Muskoday, the meadow,
In the moonlight and the starlight,
Fair Nokomis bore a daughter.
And she called her name Wenonah,
As the first-born of her daughters.
And the daughter of Nokomis
Grew up like the prairie lilies,
Grew a tall and slender maiden,
With the beauty of the moonlight,
With the beauty of the starlight.

And Nokomis warned her often,
Saying oft, and oft repeating,
"Oh, beware of Mudjekeewis,
Of the West-Wind, Mudjekeewis;
Listen not to what he tells you;
Lie not down upon the meadow,
Stoop not down among the lilies,
Lest the West-Wind come and harm you!"

But she heeded not the warning,
Heeded not those words of wisdom,
And the West-Wind came at evening,
Walking lightly o'er the prairie,
Whispering to the leaves and blossoms,
Bending low the flowers and grasses,
Found the beautiful Wenonah,
Lying there among the lilies,
Wooed her with his words of sweetness,
Wooed her with his soft caresses,
Till she bore a son in sorrow,
Bore a son of love and sorrow.

Thus was born my Hiawatha,
Thus was born the child of wonder;
But the daughter of Nokomis,
Hiawatha's gentle mother,
In her anguish died deserted
By the West-Wind, false and faithless,
By the heartless Mudjekeewis.

For her daughter long and loudly
Wailed and wept the sad Nokomis;
"Oh that I were dead!" she murmured,
"Oh that I were dead, as thou art!
No more work, and no more weeping,
Wahonowin! Wahonowin!"

By the shores of Gitche Gumee,
By the shining Big-Sea-Water,
Stood the wigwam of Nokomis,
Daughter of the Moon, Nokomis.
Dark behind it rose the forest,
Rose the black and gloomy pine-trees,
Rose the firs with cones upon them;
Bright before it beat the water,
Beat the clear and sunny water,
Beat the shining Big-Sea-Water.

There the wrinkled old Nokomis
Nursed the little Hiawatha,
Rocked him in his linden cradle,
Bedded soft in moss and rushes,
Safely bound with reindeer sinews;
Stilled his fretful wail by saying,
"Hush! the Naked Bear will hear thee!"
Lulled him into slumber, singing,
"Ewa-yea! my little owlet!
Who is this, that lights the wigwam?
With his great eyes lights the wigwam?
Ewa-yea! my little owlet!"

Many things Nokomis taught him
Of the stars that shine in heaven;
Showed him Ishkoodah, the comet,
Ishkoodah, with fiery tresses;
Showed the Death-Dance of the spirits,
Warriors with their plumes and war-clubs,
Flaring far away to northward
In the frosty nights of Winter;
Showed the broad white road in heaven,
Pathway of the ghosts, the shadows,
Running straight across the heavens,
Crowded with the ghosts, the shadows.

At the door on summer evenings
Sat the little Hiawatha;
Heard the whispering of the pine-trees,
Heard the lapping of the waters,
Sounds of music, words of wonder;
'Minne-wawa!" said the Pine-trees,
Mudway-aushka!" said the water.

Saw the fire-fly, Wah-wah-taysee,
Flitting through the dusk of evening,
With the twinkle of its candle
Lighting up the brakes and bushes,
And he sang the song of children,
Sang the song Nokomis taught him:
"Wah-wah-taysee, little fire-fly,
Little, flitting, white-fire insect,
Little, dancing, white-fire creature,
Light me with your little candle,
Ere upon my bed I lay me,
Ere in sleep I close my eyelids!"

Saw the moon rise from the water
Rippling, rounding from the water,
Saw the flecks and shadows on it,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"Once a warrior, very angry,
Seized his grandmother, and threw her
Up into the sky at midnight;
Right against the moon he threw her;
'T is her body that you see there."

Saw the rainbow in the heaven,
In the eastern sky, the rainbow,
Whispered, "What is that, Nokomis?"
And the good Nokomis answered:
"'T is the heaven of flowers you see there;
All the wild-flowers of the forest,
All the lilies of the prairie,
When on earth they fade and perish,
Blossom in that heaven above us."

When he heard the owls at midnight,
Hooting, laughing in the forest,
'What is that?" he cried in terror,
"What is that," he said, "Nokomis?"
And the good Nokomis answered:
"That is but the owl and owlet,
Talking in their native language,
Talking, scolding at each other."

Then the little Hiawatha
Learned of every bird its language,
Learned their names and all their secrets,
How they built their nests in Summer,
Where they hid themselves in Winter,
Talked with them whene'er he met them,
Called them "Hiawatha's Chickens."

Of all beasts he learned the language,
Learned their names and all their secrets,
How the beavers built their lodges,
Where the squirrels hid their acorns,
How the reindeer ran so swiftly,
Why the rabbit was so timid,
Talked with them whene'er he met them,
Called them "Hiawatha's Brothers."

Then Iagoo, the great boaster,
He the marvellous story-teller,
He the traveller and the talker,
He the friend of old Nokomis,
Made a bow for Hiawatha;
From a branch of ash he made it,
From an oak-bough made the arrows,
Tipped with flint, and winged with feathers,
And the cord he made of deer-skin.

Then he said to Hiawatha:
"Go, my son, into the forest,
Where the red deer herd together,
Kill for us a famous roebuck,
Kill for us a deer with antlers!"

Forth into the forest straightway
All alone walked Hiawatha
Proudly, with his bow and arrows;
And the birds sang round him, o'er him,
"Do not shoot us, Hiawatha!"
Sang the robin, the Opechee,
Sang the bluebird, the Owaissa,
"Do not shoot us, Hiawatha!"

Up the oak-tree, close beside him,
Sprang the squirrel, Adjidaumo,
In and out among the branches,
Coughed and chattered from the oak-tree,
Laughed, and said between his laughing,
"Do not shoot me, Hiawatha!"

And the rabbit from his pathway
Leaped aside, and at a distance
Sat erect upon his haunches,
Half in fear and half in frolic,
Saying to the little hunter,
"Do not shoot me, Hiawatha!"

But he heeded not, nor heard them,
For his thoughts were with the red deer;
On their tracks his eyes were fastened,
Leading downward to the river,
To the ford across the river,
And as one in slumber walked he.

Hidden in the alder-bushes,
There he waited till the deer came,
Till he saw two antlers lifted,
Saw two eyes look from the thicket,
Saw two nostrils point to windward,
And a deer came down the pathway,
Flecked with leafy light and shadow.
And his heart within him fluttered,
Trembled like the leaves above him,
Like the birch-leaf palpitated,
As the deer came down the pathway.

Then, upon one knee uprising,
Hiawatha aimed an arrow;
Scarce a twig moved with his motion,
Scarce a leaf was stirred or rustled,
But the wary roebuck started,
Stamped with all his hoofs together,
Listened with one foot uplifted,
Leaped as if to meet the arrow;
Ah! the singing, fatal arrow,
Like a wasp it buzzed and stung him!

Dead he lay there in the forest,
By the ford across the river;
Beat his timid heart no longer,
But the heart of Hiawatha
Throbbed and shouted and exulted,
As he bore the red deer homeward,
And Iagoo and Nokomis
Hailed his coming with applauses.

From the red deer's hide Nokomis
Made a cloak for Hiawatha,
From the red deer's flesh Nokomis
Made a banquet to his honor.
All the village came and feasted,
All the guests praised Hiawatha,
Called him Strong-Heart, Soan-ge-taha!
Callon-Heart, Mahn-go-taysee!

Fanny Kemble: the birth of the railway, and falling "horribly in love" (1830)

Fanny Kemble records in her 'Record of a Girlhood' (see here) how whilst an already at 21, famous, if somewhat reluctant and much toured, actress, her presence in Liverpool led to an invitation to travel on the new "fire-horse" (steam engine) on an iron road.

While we were acting at Liverpool an experimental trip was proposed upon the line of railway which was being constructed between Liverpool and Manchester, the first mesh of that amazing iron net which now covers the whole surface of England and all the civilized portions of the earth. The Liverpool merchants, whose far-sighted self-interest prompted them to wise liberality, had accepted the risk of George Stephenson's magnificent experiment, which the committee of inquiry of the House of Commons had rejected for the government. These men, of less intellectual culture than the Parliament members, had the adventurous imagination proper to great speculators, which is the poetry of the counting-house and wharf, and were better able to receive the enthusiastic infection of the great projector's sanguine hope that the Westminster committee. They were exultant and triumphant at the near completion of the work, though, of course, not without some misgivings as to the eventual success of the stupendous enterprise. My father knew several of the gentlemen most deeply interested in the undertaking, and Stephenson having proposed a trial trip as far as the fifteen-mile viaduct, they, with infinite kindness, invited him and permitted me to accompany them; allowing me, moreover, the place which I felt to be one of supreme honor, by the side of Stephenson. All that wonderful history, as much more interesting than a romance as truth is stranger than fiction, which Mr. Smiles's biography of the projector has given in so attractive a form to the
world, I then heard from his own lips. He was a rather stern-featured man, with a dark and deeply marked countenance; his speech was strongly inflected with his native Northumbrian accent, but the fascination of that story told by himself, while his tame dragon flew panting along his iron pathway with us, passed the first reading of the "Arabian Nights," the incidents of which it almost seemed to recall. He was wonderfully condescending and kind in answering all the questions of my eager
ignorance, and I listened to him with eyes brimful of warm tears of sympathy and enthusiasm, as he told me of all his alternations of hope and fear, of his many trials and disappointments, related with fine scorn how the "Parliament men" had badgered and baffled him with their book-knowledge, and how, when at last they thought they had smothered the irrepressible prophecy of his genius in the quaking depths of Chatmoss, he had exclaimed, "Did ye ever see a boat float on water? I
will make my road float upon Chatmoss!" The well-read Parliament men (some of whom, perhaps, wished for no railways near their parks and pleasure-grounds) could not believe the miracle, but the shrewd Liverpool merchants, helped to their faith by a great vision of immense gain, did; and so the railroad was made, and I took this memorable ride by the side of its maker, and would not have exchanged the honor and pleasure of it for one of the shares in the speculation.

LIVERPOOL, August 26th.
MY DEAR H----,

A common sheet of paper is enough for love, but a foolscap extra can alone contain a railroad and my ecstasies. There was once a man, who was born at Newcastle-upon-Tyne, who was a common coal-digger; this man had an immense constructiveness, which displayed itself in pulling his watch to pieces and putting it
together again; in making a pair of shoes when he happened to be some days without occupation; finally--here there is a great gap in my story--it brought him in the capacity of an engineer before a committee of the House of Commons, with his head full of plans for constructing a railroad from Liverpool to Manchester. It so
happened that to the quickest and most powerful perceptions and conceptions, to the most indefatigable industry and perseverance, and the most accurate knowledge of the phenomena of nature as they affect his peculiar labors, this man joined an utter want of the "gift of the gab;" he could no more explain to others what he meant
to do and how he meant to do it, than he could fly; and therefore the members of the House of Commons, after saying, "There is rock to be excavated to a depth of more than sixty feet, there are embankments to be made nearly to the same height, there is a swamp of five miles in length to be traversed, in which if you drop an
iron rod it sinks and disappears: how will you do all this?" and receiving no answer but a broad Northumbrian "I can't tell you how I'll do it, but I can tell you I _will_ do it," dismissed Stephenson as a visionary. Having prevailed upon a company of
Liverpool gentlemen to be less incredulous, and having raised funds for his great undertaking, in December of 1826 the first spade was struck into the ground. And now I will give you an account of my yesterday's excursion. A party of sixteen persons was ushered, into a large court-yard, where, under cover, stood several carriages of a peculiar construction, one of which was prepared for our reception. It was a long-bodied vehicle with seats placed across it, back to back; the one we were in had six of these benches, and was a sort of uncovered _char à banc_. The wheels were placed upon two iron bands, which formed the road, and to which they are
fitted, being so constructed as to slide along without any danger of hitching or becoming displaced, on the same principle as a thing sliding on a concave groove. The carriage was set in motion by a mere push, and, having received, this impetus, rolled with us down an inclined plane into a tunnel, which forms the entrance to the
railroad. This tunnel is four hundred yards long (I believe), and will be lighted by gas. At the end of it we emerged from darkness, and, the ground becoming level, we stopped. There is another tunnel parallel with this, only much wider and longer, for it extends from the place which we had now reached, and where the steam-carriages
start, and which is quite out of Liverpool, the whole way under the town, to the docks. This tunnel is for wagons and other heavy carriages; and as the engines which are to draw the trains along the railroad do not enter these tunnels, there is a large building at this entrance which is to be inhabited by steam-engines of a stationary turn of mind, and different constitution from the traveling ones, which are to propel the trains through the tunnels to the terminus in the town, without going out of their houses themselves. The length of the tunnel parallel to the one we passed through is (I believe) two thousand two hundred yards. I wonder if you are understanding one word I am saying all this while! We were introduced to the little engine which was to drag us along the rails. She (for they make these curious little fire-horses all
mares) consisted of a boiler, a stove, a small platform, a bench, and behind the bench a barrel containing enough water to prevent her being thirsty for fifteen miles,--the whole machine not bigger than a common fire-engine. She goes upon two wheels, which are her feet, and are moved by bright steel legs called pistons; these are
propelled by steam, and in proportion as more steam is applied to the upper extremities (the hip-joints, I suppose) of these pistons, the faster they move the wheels; and when it is desirable to diminish the speed, the steam, which unless suffered to escape would burst the boiler, evaporates through a safety-valve into the
air. The reins, bit, and bridle of this wonderful beast is a small steel handle, which applies or withdraws the steam from its legs or pistons, so that a child might manage it. The coals, which are its oats, were under the bench, and there was a small glass tube affixed to the boiler, with water in it, which indicates by its fullness or emptiness when the creature wants water, which is immediately conveyed to it from its reservoirs. There is a chimney to the stove, but as they burn coke there is none of the dreadful black smoke which accompanies the progress of a steam vessel. This
snorting little animal, which I felt rather inclined to pat, was then harnessed to our carriage, and, Mr. Stephenson having taken me on the bench of the engine with him, we started at about ten miles an hour. The steam-horse being ill adapted for going up and down hill, the road was kept at a certain level, and appeared sometimes to sink below the surface of the earth, and sometimes to rise above it. Almost at starting it was cut through the solid rock, which formed a wall on either side of it, about sixty feet high. You can't imagine how strange it seemed to be journeying on thus,
without any visible cause of progress other than the magical machine, with its flying white breath and rhythmical, unvarying pace, between these rocky walls, which are already clothed with moss and ferns and grasses; and when I reflected that these great masses of stone had been cut asunder to allow our passage thus far below the surface of the earth, I felt as if no fairy tale was ever half so wonderful as what I saw. Bridges were thrown from side to side across the top of these cliffs, and the people looking down upon us from them seemed like pigmies standing in the sky. I must
be more concise, though, or I shall want room. We were to go only fifteen miles, that distance being sufficient to show the speed of the engine, and to take us on to the most beautiful and wonderful object on the road. After proceeding through this rocky defile, we presently found ourselves raised upon embankments ten or twelve feet high; we then came to a moss, or swamp, of considerable extent, on which no human foot could tread without sinking, and yet it bore the road which bore us. This had been the great stumbling-block in the minds of the committee of the House of
Commons; but Mr. Stephenson has succeeded in overcoming it. A foundation of hurdles, or, as he called it, basket-work, was thrown over the morass, and the interstices were filled with moss and other elastic matter. Upon this the clay and soil were laid down, and the road does float, for we passed over it at the rate of five
and twenty miles an hour, and saw the stagnant swamp water trembling on the surface of the soil on either side of us. I hope you understand me. The embankment had gradually been rising higher and higher, and in one place, where the soil was not settled enough to form banks, Stephenson had constructed artificial ones of wood-work, over which the mounds of earth were heaped, for he said that though the wood-work would rot, before it did so the banks of earth which covered it would have been sufficiently consolidated to support the road.

We had now come fifteen miles, and stopped where the road traversed a wide and deep valley. Stephenson made me alight and led me down to the bottom of this ravine, over which, in order to keep his road level, he has thrown a magnificent viaduct of nine arches, the middle one of which is seventy feet high, through which we saw the whole of this beautiful little valley. It was lovely and wonderful beyond all words. He here told me many curious things respecting this ravine: how he believed the Mersey had once rolled through it; how the soil had proved so unfavorable for the foundation of his bridge that it was built upon piles, which had been driven into the earth to an enormous depth; how, while digging for a foundation, he had come to a tree bedded in the earth fourteen feet below the surface of the ground; how tides are caused, and how another flood might be caused; all of which I have remembered and noted down at much greater length than I can enter upon it here. He explained to me the whole construction of the steam-engine, and said he could soon make a famous engineer of me, which, considering the wonderful things he has achieved, I dare not say is impossible. His way of explaining himself is peculiar, but very striking, and I understood, without difficulty, all that he said to me. We then rejoined the rest of the party, and the engine having received its supply of water, the carriage was placed behind it, for it cannot turn, and was set off at its utmost speed, thirty-five miles an hour, swifter than a bird flies (for they tried the experiment with a snipe). You cannot conceive what that sensation of cutting the air was; the motion is as smooth as possible, too. I could either have read or written; and as it was, I stood up, and with my bonnet off "drank the air before me." The wind, which was strong, or
perhaps the force of our own thrusting against it, absolutely weighed my eyelids down. [I remember a similar experience to this, the first time I attempted to go behind the sheet of the cataract of Niagara; the wind coming from beneath the waterfall met me with such direct force that it literally bore down my eyelids, and I had to put off the attempt of penetrating behind the curtain of foam till another day, when that peculiar accident; was less directly hostile to me in its conditions.] When I closed my eyes this sensation of flying was quite delightful, and strange beyond
description; yet, strange as it was, I had a perfect sense of security, and not the slightest fear. At one time, to exhibit the power of the engine, having met another steam-carriage which was unsupplied with water, Mr. Stephenson caused it to be fastened in front of ours; moreover, a wagon laden with timber was also chained to us, and thus propelling the idle steam-engine, and dragging the loaded wagon which was beside it, and our own carriage full of people behind, this brave little she-dragon of ours flew on. Farther on she met three carts, which, being fastened in front of
her, she pushed on before her without the slightest delay or difficulty; when I add that this pretty little creature can run with equal facility either backward or forward, I believe I have given you an account of all her capacities.

Now for a word or two about the master of all these marvels, with whom I am most horribly in love. He is a man of from fifty to fifty-five years of age; his face is fine, though careworn, and bears an expression of deep thoughtfulness; his mode of explaining his ideas is peculiar and very original, striking, and forcible; and although his accent indicates strongly his north-country birth, his language has not the slightest touch of vulgarity or coarseness. He has certainly turned my head.

Four years have sufficed to bring this great undertaking to an end. The railroad will be opened upon the 15th of next month. The Duke of Wellington is coming down to be present on the occasion, and, I suppose, what with the thousands of spectators and the novelty of the spectacle, there will never have been a scene of more striking
interest. The whole cost of the work (including the engines and carriages) will have been eight hundred and thirty thousand pounds; and it is already worth double that sum. The directors have kindly offered us three places for the opening, which is a great favor, for people are bidding almost anything for a place, I understand;
but I fear we shall be obliged to decline them

Fanny would later tour America, marry a plantation owner, Pierce Butler, and quickly find herself in conflict with her husband over many issues, including slavery. There followed years of a painful conflict and, eventually, divorce (Pierce Butler proved to be a poor investor and gambler). For a brief description of Fanny's life see here.

Spring will be a little late this year

Frank Loesser's lyrics of 1943. Recorded by many artists.

Verse: 
Jan-u-ar-y  and Feb-ru-ar-y were nev-er so emp-ty and gray
Tra-gic' - lly  I feel like  cry-ing 
"With-out you, my dar-ling, I'm  dy-ing."
But let's rath-er  put it this  way:

Chorus: 
SPRING WILL BE ____ A LIT-TLE  LATE  THIS  YEAR,__
A lit-tle late  ar-riv-ing in  my lone-ly world o-ver here
For you  have  left me,  and  where is  our Ap-ril of old?
You   have  left  me,  and win-ter con-tin-ues  cold, 
As if  to say  Spring  will be____ a lit-tle slow  to start,___
A lit-tle slow   re-viv-ing  mu-sic  it made in my heart.
Yes, time  heals all things, so I need-n't  cling to fear,
It's mere-ly that SPRING  WILL BE______________ 
A   LIT-TLE    LATE    THIS      YEAR.________________
The Frank Loesser website here.

Daffodils: a poet could not but be gay*

A cold, cold, March in Birmingham ... unlike the milder ones of recent years ... and, the daffodils are late. Oh, it's cold and gloomy here. Just over 200 years since William Wordsworth wrote this memorable poem:

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed - and gazed - but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.

* The word in its dominant use in England for its first 400+ years following its arrival from France: bright, lively, excited, high spirits ... See here.

You probably couldn`t have played bear, but you played bare very well

From Mark Twain's autobiography, which can be found here.

III

... This was in 1849. I was fourteen years old, then. We were still living in Hannibal, Missouri, on the banks of the Mississippi, in the new "frame" house built by my father five years before. That is, some of us lived in the new part, the rest in the old part back of it -- the "L." In the autumn my sister gave a party, and invited all the marriageable young people of the village. I was too young for this society, and was too bashful to mingle with young ladies, anyway, therefore I was not invited -- at least not for the whole evening. Ten minutes of it was to be my whole share. I was to do the part of a bear in a small fairy play. I was to be disguised all over in a close-fitting brown hairy stuff proper for a bear. About half past ten I was told to go to my room and put on this disguise, and be ready in half an hour. I started, but changed my mind; for I wanted to practice a little, and that room was very small. I crossed over to the large unoccupied house on the corner of Main and Hill streets,(1) unaware that a dozen of the young people were also going there to dress for their parts. I took the little black slave boy, Sandy, with me, and we selected a roomy and empty chamber on the second floor. We entered it talking, and this gave a couple of half-dressed young ladies an opportunity to take refuge behind a screen undiscovered. Their gowns and things were hanging on hooks behind the door, but I did not see them; it was Sandy that shut the door, but all his heart was in the theatricals, and he was as unlikely to notice them as I was myself.

That was a rickety screen, with many holes in it, but as I did not know there were girls behind it, I was not disturbed by that detail. If I had known, I could not have undressed in the flood of cruel moonlight that was pouring in at the curtainless windows; I should have died of shame. Untroubled by apprehensions, I stripped to the skin and began my practice. I was full of ambition; I was determined to make a hit; I was burning to establish a reputation as a bear and get further engagements; so I threw myself into my work with an abandon that promised great things. I capered back and forth from one end of the room to the other on all fours, Sandy applauding with enthusiasm; I walked upright and growled and snapped and snarled; I stood on my head, I flung handsprings, I danced a lubberly dance with my paws bent and my imaginary snout sniffing from side to side; I did everything a bear could do, and many things which no bear could ever do and no bear with any dignity would want to do, anyway; and of course I never suspected that I was making a spectacle of myself to any one but Sandy. At last, standing on my head, I paused in that attitude to take a minute`s rest. There was a moment`s silence, then Sandy spoke up with excited interest and said --

"Marse Sam, has you ever seen a smoked herring?"

"No. What is that?"

"It`s a fish."

"Well, what of it? Anything peculiar about it?"

"Yes, suh, you bet you dey is. Dey eats `em guts and all!"

There was a smothered burst of feminine snickers from behind the screen! All the strength went out of me and I toppled forward like an undermined tower and brought the screen down with my weight, burying the young ladies under it. In their fright they discharged a couple of piercing screams -- and possibly others, but I did not wait to count. I snatched my clothes and fled to the dark hall below, Sandy following. I was dressed in half a minute, and out the back way. I swore Sandy to eternal silence, then we went away and hid until the party was over. The ambition was all out of me. I could not have faced that giddy company after my adventure, for there would be two performers there who knew my secret, and would be privately laughing at me all the time. I was searched for but not found, and the bear had to be played by a young gentleman in his civilized clothes. The house was still and everybody asleep when I finally ventured home. I was very heavy-hearted, and full of a sense of disgrace. Pinned to my pillow I found a slip of paper which bore a line that did not lighten my heart, but only made my face burn. It was written in a laboriously disguised hand, and these were its mocking terms:

"You probably couldn`t have played bear, but you played bare very well -- oh, very very well!"

We think boys are rude, unsensitive animals, but it is not so in all cases. Each boy has one or two sensitive spots, and if you can find out where they are located you have only to touch them and you can scorch him as with fire. I suffered miserably over that episode. I expected that the facts would be all over the village in the morning, but it was not so. The secret remained confined to the two girls and Sandy and me. That was some appeasement of my pain, but it was far from sufficient -- the main trouble remained: I was under four mocking eyes, and it might as well have been a thousand, for I suspected all girls` eyes of being the ones I so dreaded. During several weeks I could not look any young lady in the face; I dropped my eyes in confusion when any one of them smiled upon me and gave me greeting; and I said to myself, "That is one of them," and got quickly away. Of course I was meeting the right girls everywhere, but if they ever let slip any betraying sign I was not bright enough to catch it. When I left Hannibal four years later, the secret was still a secret; I had never guessed those girls out, and was no longer expecting to do it. Nor wanting to, either.

One of the dearest and prettiest girls in the village at the time of my mishap was one whom I will call Mary Wilson, because that was not her name. She was twenty years old; she was dainty and sweet, peach-bloomy and exquisite, gracious and lovely in character, and I stood in awe of her, for she seemed to me to be made out of angel-clay and rightfully unapproachable by an unholy ordinary kind of a boy like me. I probably never suspected her. But --

The scene changes. To Calcutta -- forty-seven years later. It was in 1896. I arrived there on my lecturing trip. As I entered the hotel a divine vision passed out of it, clothed in the glory of the Indian sunshine -- the Mary Wilson of my long-vanished boyhood! It was a startling thing. Before I could recover from the bewildering shock and speak to her she was gone. I thought maybe I had seen an apparition, but it was not so, she was flesh. She was the granddaughter of the other Mary, the original Mary. That Mary, now a widow, was up-stairs, and presently sent for me. She was old and gray-haired, but she looked young and was very handsome. We sat down and talked. We steeped our thirsty souls in the reviving wine of the past, the beautiful past, the dear and lamented past; we uttered the names that had been silent upon our lips for fifty years, and it was as if they were made of music; with reverent hands we unburied our dead, the mates of our youth, and caressed them with our speech; we searched the dusty chambers of our memories and dragged forth incident after incident, episode after episode, folly after folly, and laughed such good laughs over them, with the tears running down; and finally Mary said suddenly, and without any leading up --

"Tell me! What is the special peculiarity of smoked herrings?"

It seemed a strange question at such a hallowed time as this. And so inconsequential, too. I was a little shocked. And yet I was aware of a stir of some kind away back in the deeps of my memory somewhere. It set me to musing -- thinking -- searching. Smoked herrings. Smoked herrings. The peculiarity of smo.... I glanced up. Her face was grave, but there was a dim and shadowy twinkle in her eye which -- All of a sudden I knew! and far away down in the hoary past I heard a remembered voice murmur, "Dey eats `em guts and all!"

"At -- last! I`ve found one of you, anyway! Who was the other girl?"

But she drew the line there. She wouldn`t tell me.

If my friends could see me now

An interesting programme on Cy Coleman which I saw on 19 January on BBC4. What a talent. Eleven Broadway musicals and worked with the great lyricist Dorothy Fields. It shows through in this song from 'Sweet Charity':

Tonight at eight you shoulda seen
A chauffeur pull up in a rented limousine!
My neighbors burned! They like to die!
When I tell them who is gettin' in and goin' out is I!
If they could see me now,
That little gang of mine,
I'm eating fancy chow
And drinking fancy wine.
I'd like those stumble bums to see for a fact
The kind of top drawer, first rate chums I attract.
All I can say is "Wow-ee!
Looka where I am.
Tonight I landed, pow!
Right in a pot of jam.
What a set up! Holy cow!
They'd never believe it,
If my friends could see me now!
If they could see me now,
My little dusty group,
Traipsin' 'round this million dollar chicken coop.
I'd hear those thrift shop cats say:
"Brother, get her!
Draped on a bed spread made from three kinds of fur."
All I can say is, "Wow!
Wait till the riff an' raff
See just exactly how
He sign this autograph."
What a build up! Holy cow!
They'd never believe it,
If my friends could see me now!
If they could see me now
Alone with Mister V.,
Who's waiting on me like he was a maître d'
I'd hear my buddies saying:
"Crazy, what gives?
Tonight she's living like
The other half lives!"
To think the highest brow,
Which I must say is he,
Should pick the lowest brow,
Which there's no doubt is me!
What a step up! Holy cow!
They'd never believe it,
If my friends could see me now!
What a step up! Holy cow!
They'd never believe it...
They'd never believe it,
If my friends could see me now
Hi, girls it's me, Charity!

Some interesting phrases: - holy cow (I think Robin, in Batman, used this a lot); riff and raff (makes a change from riff-raff); top drawer; stumble bums - well, I've never heard that one before.